|  This 1926 Spanish Colonial 
      structure captures some of the original style of Ocean Avenue buildings 
      of that time period. The flat simplicity of the façade and its numerous 
      round archways are reminiscent of the earlier Mission style. The property 
      contains a two-story, wood-frame Spanish Colonial Revival-style commercial 
      building, a swimming pool and a one-story garage accessed from the alley. 
      The architectural style was particularly popular during this era of Santa 
      Monica’s development, offering a Mediterranean grace and elegance 
      to our seaside city. 
       Spanish Colonial revival is really a collection of styles, unified by 
        the use of arches, courtyards, form as mass, plain wall surfaces, and 
        tile roofs, all derived from the Mediterranean world. Designers were inspired 
        by a number of sources: the adobe and colonial buildings of Monterey, 
        California; late forms of Moorish architecture; medieval Spanish and Italian 
        church architecture; Ultra-Baroque design of colonial Spain and Portugal; 
        rural forms from Andalusia; Italian Romanesque and Renaissance revival 
        elements; and southwest Hopi and Pueblo Indian adobes. This broad source 
        base made it relatively easy to create a convincing harmony between the 
        exterior image, interior space, decorative elements, and the building's 
        function. 
      John Balsley and his wife Ella purchased the parcel that is now 1337 
        Ocean Avenue in 1911. In 1926, they constructed the four-unit apartment 
        house and garage. This Spanish Colonial Revival-style building is noteworthy 
        in that it was constructed during the City’s first major development 
        boom as a mixed-use building with four apartment units and a ground floor 
        commercial space. It was constructed during the era when Santa Monica 
        transitioned to a year-round resort community. At the time, 1337 Ocean 
        Ave. was at the edge of the City’s downtown, marking a transition 
        area from the ocean view residential properties to the north. 
      Notice that the front of the building has three bays. The central and 
        largest section is capped with a red tiled front-facing gabled roof. It 
        contains an arched door flanked by lanterns and two large wood-framed, 
        multi-paned French doors, one is ornamented with a wrought iron balconet. 
        The theme is repeated on the second floor; the central bay has two French 
        doors with balconets. The square-shaped side bays feature large fixed-paned 
        windows at street level. On the second floor, French doors open onto semi-enclosed 
        landings. The side bays have tiled shed roofs, while the remainder of 
        the main body of the building has a flat roof and tiled parapet. On either 
        side of the building are tile-capped wing walls with arched shaped openings 
        leading to the side yards. The 50’ by 150’ property is located 
        just west of the central business district. City permits were not found 
        for the property and the architect is unknown. There is a similar looking 
        property just south at 101 Santa Monica Boulevard. Nobody has applied 
        for permits to alter that building, so it has yet to be landmarked. 
      The Balsleys owned the property until 1937. One ground floor tenant, 
        the Universal Truth Library occupied the building until around 1938. Ownership 
        of the subject property changed hands several times in the following years. 
        The 1940 city directory listed the widow of the original property owner, 
        Mrs. Ella Balsley as a tenant. It was under the next owners, Edwin and 
        Hazel Berdine that the property got its formal name: the Casa Bonita Apartments. 
        The property became a full commercial property in the 1970s. 
      Neighboring properties at 1333 Ocean Avenue and the Gussie Moran House, 
        are also Santa Monica Landmarks, creating a cluster of Landmark properties, 
        each with individual architectural significance, and which exemplify the 
        oceanfront downtown edge’s historical development pattern. 
         
       
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